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Then I went to see Hugh Pool play three songs on the River Stage, including a cover of When The Levee Breaks. He plays an overdriven National that dates from the 1930s (and looks it) and harmonica with an attached microphone so he can move a round a bit. He's a good performer, and though he's not the first guy to give the blues a little oomph with some added distortion, he does it a lot better than most.
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I left before his set came to a close to watch Page France back at the Black Sheep Stage. Page France is essentially Michael Nau of Maryland and band. He's garnered a few Sufjan Stevens references thanks to the occasional Christian reference in his lyrics. I thought they sounded a bit like Neutral Milk Hotel.
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Then I grabbed a wee bit of Lucky Peterson - really just the end of his set, a cover of Proud Mary, sung by a female accompanist I've had no luck in identifying.
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Back to the Black Sheep. The evening's headliner was Ndidi Onukwulu. She's got a great voice, and with collaborator Madagascar Slim on guitar you can't go wrong in that department either. However, after Wednesday's Tagaq performance I have to say I found her a bit on the conventional side.
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It was getting a bit chilly, so I decided to take my leave after a half-dozen songs. I didn't bike off immediately, though. I decided to cool my heels just outside the main stage and listen to a couple of Blue Rodeo songs, including Diamond Mine.
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That was a decent night's entertainment - nothing spectacular, though.
2 comments:
It's Page France not Francis :)
-cj
Fixed; my mind was obviously thinking of Sage Francis for some reason.
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