Chris Garneau's winsome piano pop knocked things down a notch after the mania of the preceding acts. Sounding a bit like Sufjan Stevens, the Brooklyn pianist seemed even more boyish behind the keys of a sizable Yamaha electric. I thought some of his stuff sounded a bit precious, even when singing about serial killer and cannibal Jeffrey Dahmer (I guess Sufjan already did Gacey). On the plus side his melodies were aided along by a capable cellist and drummer/bassist/harmonium player.
Chris Garneau is an avid collector lampshades. No kidding!
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I love piano innards.
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Saul Simon-MacWilliams was kept busy moving between drums and harmonium. "Sorry to keep you running around," said an apologetic Garneau.
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Eleanor Norton checks her notes.
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The whole lot!
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Despite having to compete with chatter from the bar, his set did grab a good chunk of the crowd’s attention.
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