Anyway, on to All This Time, their latest, which I like even more. I grabbed a copy at Birdman Sound a week or so ago. Right from the first track it's plain that the Heartless Bastards have stepped up their game. Into The Open has all the hallmarks that made Stairs excellent, most particularly guitarist and singer Erika Wennerstrom's powerhouse voice, but there's also a potent grip on dynamics in evidence as the band shifts with aplomb between piano-dappled verses to the gritty crescendo of the choruses.There's also a great production job, courtesy of Brian Niesz. I'd compare his esthetic to Matthew Smith's. Like the Outrageous Cherry frontman and producer, Niesz goes easy on the multitracking and effects, but administers a fair dose of reverb to stop the fuzz and rumble from getting too cloying and muddy. I gather most of his work is in producing live stuff for radio; just the kind of guy you'd want for a stripped down but powerful sound.


1 comment:
I saw the Heartless Bastards open for the Soledad brothers in Monteal a few months back and there was nobody (30-40) at the gig and when they played everone stayed at the back of the bar. (Cafe Campus). She got pissed off and rushed through all her songs and dissed the crowd for not being into it. Wicked show. I think next time she could be talked into missing Montreal for Ottawa. Most people I know here have her 1st album.
During the Soledad brothers set the guitarist was letting the audiance use their beer bottles as a slide on his guitar.
I miss the Soledad Brothers. They should come back again soon.
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