Showing posts with label Holly Golightly. Show all posts
Showing posts with label Holly Golightly. Show all posts

Friday, April 06, 2007

Coming and going

My plan last night was to see the Devil Eyes and Fucking Machines at Babylon, only to find it had been postponed to April 19. Dang. So I guess I will go digging through the crates and post this old, slightly recycled picture of Holly Golightly at Barrymore's, Nov. 27, 2004.



She has a new album as Holly Golightly and The Brokeoffs out now called You Can't Buy A Gun When You're Crying. It's her and Lawyer Dave doing some bluesy stuff).

Thursday, July 21, 2005

Nightly Golightly

The Sweetheart of The Medway played another fabulous show in the penultimate slot at the Black Sheep Stage. The crowd seemed a little sparse at first (as it did just about everywhere I looked on Sunday) but it filled up as Holly Golightly worked her way through her fab originals and covers of such folks as Memphis Minnie and "Wreckless" Eric Goulden.

Holly herself. There is no other.



There was some mid-song set-list changes. Thus the need for a quick consultation with her bassist.



Superstar of The Medway, Bruce Brand - who also played the drums later on.



The Bongolian (Nasser Bouzida) was enjoying himself. He also played the organ.



A quick switch to guitar for the last song of the evening ... which contrary to my earlier post was not the Len Bright Combo's Comedy Time but a cover of the Memphis Jug Band's I Let My Daddy Do That.



A super set. Holly: "We drove all through the night to get here, so we aren't moving around a lot ... but we mean it!"

Sunday, July 17, 2005

From Massachusetts to Mauritania

Sunday's Bluesfest threatened to be a bit of a slow fade for me ... there were only two acts I was really interested in seeing. The first was The Pernice Brothers, who put on a great show on the Main Stage at 1:30. Not many people showed up, since the weather was both muggy in the extreme (Joe Pernice joked that he sweated off six pounds while playing) and threatening. True, the band can't duplicate the delicate moments of tunes like Chicken Wire in such a venue, but some striking electric guitar work was a fine trade off.
The second was Holly Golightly (who a little bird tells me will returning to Ottawa in the not-too-distant future). I saw her at Barrymore's when the Birdman Sound crew brought her to town and she was great as always, rounding her set off with a version of The Len Bright Combo's Comedy Time.
After that I headed back to the main stage to see Mary Gauthier, who did not grab me. I found her somewhat flat singing style a turn off. Then I went to check out Sonny Landreth. After I snapped a few photos I decided that he wasn't really my thing either, brilliant slide player though he may be, so I circled back to The Black Sheep Stage to see Daby Toure, who was well worth making the circuit for. Despite some evident sound problems he put on a dynamite show. The crowd wasn't huge, but it was very enthusiastic.
Unfortunately, the folks who develop my pictures are experiencing technical difficulties, so no pictures for the next day or two.