Showing posts with label Holy Fuck. Show all posts
Showing posts with label Holy Fuck. Show all posts

Wednesday, October 09, 2019

Time after time

Way back on Sept. 5 I toddled over to the House of Targ for some classic Canadian supergroup action. Ian Blurton (of Change of Heart, C'mon and Public Animal, among others) has a new combo, pseudonymously titled Ian Blurton's Future Now, and it might just be his best one yet. First up, Glenn Milchem (of Holy Fuck and Blue Rodeo) played some solo stuff.

Glenn Milchem at House of Targ

Guitar action!

Glenn Milchem at House of Targ

Glenn sings some more!

Glenn Milchem at House of Targ

Next up, Espanola. This is the project fronted by Aaron Goldstein, who's best known for being a go-to steel guitarist in Toronto; he's popped up on the blog before as part of Huron (who also backed Ian for his Happy Endings show at Targ) and accompanying Daniel Romano.

Espanola at House of Targ

Glenn hits!

Espanola at House of Targ

Anna Ruddick on bass - she's also in City and Colour and is definitely an ace on her instrument.

Espanola at House of Targ

And of course Ian helps out on guitar.

Espanola at House of Targ

Rhythm section action!

Espanola at House of Targ

Extra Anna and Aaron!

Espanola at House of Targ

The Band Whose Name Is A Symbol hit the stage next. Here's Scott on trumpet!

The Band Whose Name Is A Symbol at House of Targ

Keyboard action with Jason!

The Band Whose Name Is A Symbol at House of Targ

Guitar action with Bill!

The Band Whose Name Is A Symbol at House of Targ

Bass action with Nate!

The Band Whose Name Is A Symbol at House of Targ

More Scott and Bill!

The Band Whose Name Is A Symbol at House of Targ

More guitar with Dave!

The Band Whose Name Is A Symbol at House of Targ

John hits!

The Band Whose Name Is A Symbol at House of Targ

Fisheye action!

The Band Whose Name Is A Symbol at House of Targ

And so on!

The Band Whose Name Is A Symbol at House of Targ

And finally a bit more Dave.

The Band Whose Name Is A Symbol at House of Targ

Ian Blurton's Future Now absolutely killed it. I dare say this quartet is the four most technically proficient musicians he's assembled (and yes, it is himself, Aaron, Anna and Glenn again). First off, some hand percussion with Glenn!

Ian Blurton's Future Now at House of Targ

Ian sings!

Ian Blurton's Future Now at House of Targ

Bass action with Anna!

Ian Blurton's Future Now at House of Targ

Glenn sings!

Ian Blurton's Future Now at House of Targ

Flying V action!

Ian Blurton's Future Now at House of Targ

More Ian!

Ian Blurton's Future Now at House of Targ

Anna sings!

Ian Blurton's Future Now at House of Targ

More Glenn!

Ian Blurton's Future Now at House of Targ

An absolutely killer set!

Sunday, August 18, 2013

In the woods

For a blog allegedly dedicated to the Ottawa music scene, I've done a terrible job of covering Rolf Klausener's Arboretum Art Festival. I didn't get out to anything last year and barely managed a few hours this time around. Oh well, better than nothing! There were a ton of things to do this year if my schedule had been a bit more cooperative (and not just in the realm of music). As it is, I caught excellent sets from Roberta Bondar, Owen Pallett and Holy Fuck.

Roberta Bondar seemed a bit less Sonic Youth-like to my ears this time around - I could really hear the bass and drums.

Roberta Bondar at Arboretum
Roberta Bondar at Arboretum, August 17, 2013

Scarlet action!

Roberta Bondar at Arboretum
Roberta Bondar at Arboretum, August 17, 2013

It's been a long time since I've seen Owen Pallett on stage. I caught him twice at Bluesfest under the Final Fantasy name, playing solo. He had a band with him this time, and everything sounded great. But first, introduction action with Rolf!

Rolf Klausener at Arboretum
Rolf Klausener at Arboretum, August 17, 2013

Owen sings!

Owen Pallett at Arboretum
Owen Pallett at Arboretum, August 17, 2103

I admire the bassist's hat.

Owen Pallett at Arboretum
Owen Pallett at Arboretum, August 17, 2103
 
Holy Fuck are another band I've seen at Bluesfest a couple of times (also once at Barrymore's). I keep forgetting how much I like seeing them perform. Here's Brian Borcherdt, who I last saw performing under his Dusted pseudonym at Pressed in April.

Holy Fuck at Arboretum
Holy Fuck at Arboretum, August 17, 2013

It was all very motorik.

Holy Fuck at Arboretum
Holy Fuck at Arboretum, August 17, 2013
 
Life under the not-so-big top.

Holy Fuck at Arboretum
Holy Fuck at Arboretum, August 17, 2013
 
For the last song Pallett came out to add some violin (as did a saxophonist I didn't recognize).

Holy Fuck at Arboretum
Holy Fuck at Arboretum, August 17, 2013

I'm going to try to see more in 2014.

Saturday, April 13, 2013

Watch the skies

Yesterday's weather was not encouraging to show-going, but if you were travelling about by foot it wasn't nearly as bad as it looked - certainly nothing to discourage me from tromping off to Pressed to see Holy Fuck and Scattered Clouds. Both outfits feature familiar faces: Dusted is the brainchild of Holy Fuck's Brian Borcherdt, but sounds nothing like it; while Scattered Clouds is the offspring of local jazz bassist Philippe Charbonneau and is more sonically familiar to folks who know of his E-tron records associations (J'envoie, etc.). Now, on to the shadowy snaps!

Plenty of music claims to be atmospheric, but Scattered Clouds' did conjure up a certain noir-ish air. 

Scattered Clouds at Pressed
Scattered Clouds at Pressed, April 12, 2013

Pierluc Clement of J'envoie was on hand to sing, play guitar and some keyboard parts, while Jamie Kronick played the drums.

Scattered Clouds at Pressed
Scattered Clouds at Pressed, April 12, 2013

 On to Dusted. Although he's best known as part of Holy Fuck, Brian Borcherdt has also done a lot of solo stuff in the singer-songwriter vein. With Dusted he's teamed up with Leon Taheny (of SS Cardiacs and others) to make some fuzzy melodies. So here's the fuzzy picture to go with ...

Dusted at Pressed
Dusted at Pressed, April 12, 2013

And so on!

Dusted at Pressed
Dusted at Pressed, April 12, 2013

Two acts to really keep an eye on.

Monday, August 31, 2009

Brought to the table

I've seen Holy Fuck a couple of times before, but I think their Bluesfest 2009 set was the first time I've seen the same lineup twice in a row - usually their rhythm section has changed a member. The previous occasion was a headlining gig at Barrymore's with locals Squelchbox and Crush Buildings in July 2008, with really good sets from all concerned. They didn't seem to thrill me as much this time - maybe I should stick to seeing them once every two years so I don't become jaded.

Matt Schulz (ex-Enon) and Matt McQuaid flank Graham Walsh.

Holy Fuck at Ottawa Bluesfest 2009

Brian Borcherdt rolls film.

Holy Fuck at Ottawa Bluesfest 2009

Graham sings!

Holy Fuck at Ottawa Bluesfest 2009

Matt McQuaid was definitely the guy jumping around the most .. course, it is a bit easier for him.

Holy Fuck at Ottawa Bluesfest 2009

Brian sings!

Holy Fuck at Ottawa Bluesfest 2009

Knob-twisting action!

Holy Fuck at Ottawa Bluesfest 2009

Somewhere in the back of the tangle is Matt Schulz.

Holy Fuck at Ottawa Bluesfest 2009

The whole lot!

Holy Fuck at Ottawa Bluesfest 2009

Right now they're out west for Bumbershoot, then they'll skip back over the continent for another festival in Quebec City.

Friday, July 10, 2009

From blues to blast

The weather for Day 2 of Bluesfest 2009 was certainly an improvement on opening day - in fact I doubt you could ask for nicer weather: Sunny, not too humid, a lovely breeze. Ideal circumstances to watch music outdoors.

I heard the Brothers Chaffey before I saw them, as I bicycled along the Ottawa River. Bluesfest now has a bike depot conveniently located near the river behind the Fast Food Joint Stage so it was just a few minutes between leaving it there and plopping myself down near the front row. Curtis, Matthew and Co. played a great sounding set. They usually do, but I suspect they might have had a boost from Ken Friesen, the producer of their last album Bloodlines, manning the soundboard. Lots of great tunes from both their albums, plus a cover of The Kinks' I'm Not Like Everybody Else.


Brothers Chaffey, Subway Stage, Bluesfest, July 9, 2009

I had hoped to catch a bit of Kyrie Kristmanson,but unfortunately she finished stuff off before I could tear myself away from The Brothers Chaffey, so I settled back at the Fast Food Joint Stage to wait for Holy Fuck to get things started. They sounded pretty good, but weren't knocking me out like they have at previous shows, so I headed off about a 20 minutes into their set to seek out a good spot for Metric's performance.


Holy Fuck, Subway Stage, Bluesfest, July 9, 2009

There was a huge crowd awaiting Metric's arrival - no surprise there - but they were pretty well-behaved compared to the last time I saw Metric at Bluesfest where I spent their entire set being squished against the barricade. I've liked Metric ever since I saw them open for Broken Social Scene (a band that didn't persuade me I liked them at that Capital Music Hall show), but I'm not a fanatic about them, so once again I split for the Fast Food Joint Stage and an act I really did want to see.


Metric, Rogers Stage, Bluesfest, July 9, 2009

That would be Iron & Wine. Yesterday I was admiring Darcy Yates' facial foliage during Flash Lightnin's set and ideally musing he was a contender for best beard of Bluesfest ... alas, he must hand the title to Samuel Beam, at least for now. If Sam had been around during the 1950s he could have been a beard model for all those biblical epics like Ben-Hur. Beam played a lovely set; his voice and guitar-playing were both top-shelf and both his songwriting and between-tunes banter are enlightened by his considerable intelligence, humour and powers of observation. His comparison to the sound-bleed from Metric's ongoing performance to having an SUV with music pumping out of it pulling up beside you at a light and interrupting a conversation with a dinner date was most amusing.


Iron & Wine, Subway Stage, Bluesfest, July 9, 2009

After that captivating set, I tootled over to the Black Sheep Stage. As before, I stopped at the Hard Rock stage to snap a couple of photos of the act playing there, in this case The Road Hammers. On the way back, they were playing a cover of ZZ Top's Legs, and doing a decent job of it.


Road Hammers, Hard Rock Stage, Bluesfest, July 9, 2009

Oumou Sangare is known as the Songbird of Wassoulou, a region of Mali with its own particular style (or perhaps that should be styles) of music. The eponymous form for which Sangare is known features a lot of the instruments familiar to anyone who caught Toumani Diabate's set last year. It was an entertaining set, highlighted by a pair of very energetic dancers and of course Sangare's soaring vocals. She's also got Living Colour drummer Will Calhoun on board in addition to a bunch of African pros.


Oumou Sangare, Black Sheep Stage, Bluesfest, July 9, 2009

I made my way back to the bike depot as her band was kicking off the encore; not only did I beat the rush, but I made it home in time enough to walk over to the Atomic Rooster and catch both bands slated to perform there that night. In fact, Fear of Lipstick was just finishing off their sound check as I walked in.

The Moncton, New Brunswick combo has been touring with The Creeps for the last few days. The two bands share an affection for hard and fast Ramones-style punk rock.


Fear of Lipstick, The Atomic Rooster, July 9, 2009

The Creeps ripped through a typically great set, with some additional strangulation-by-audience thrown in.


The Creeps, The Atomic Rooster, July 9, 2009

And now it's really time to go to bed!